Showing posts with label Revolver. Show all posts
Showing posts with label Revolver. Show all posts

4.08.2011

My Name Is M. And I'm A Linkaholic.

PIMPS AND WHORES

It's around that time I pimp out some my fellow bloggers, since I've been reading some BAMF posts recently. I know the movie blog community has one of those "big city with a small town feel" things going on, so I may be introducing nothing new, but hell, nothing wrong with rereading! 

1. As a fellow writer (alright, alright...as a wannabe writer linking herself to a published writer) outside of the blogsphere, I feel it's my brotherly duty to promote the fact that the lovely Melissa has a new book published! All fanmail goes this way.

2. Just when I thought I gave Sucker Punch a decent write-up, FilmMattic had to go and say it better than I ever could. In all his articulate glory here.

3. Back tracking a little here, but Castor threw up a list of the 10 most typecast actors in Hollywood. But, you know. Typecast in a nice way. 

4. Oh, Nebular. Why are your lists always so spot on? He gives yet another brilliant list with his top ten horror movies of 2010.

5. Samurai movies. Surprisingly, not always my thing. And maybe I'm a little late jumping on this bandwagon. However. Sledge makes me want to me see 13 Assassins pronto.

And now I'm off to see Hanna (2011). BRING IT, SAOIRSE.

4.03.2011

BAMF Of The Week: Mark Strong

MARK STRONG
"If a slap don't work, you cut 'em or you pay 'em."

Mark Strong is one of the unsung chameleons of the acting world. If you don't know who he is, it's probably because you just didn't recognize him. He's been everything from Mr. Knightley in Emma (1996) to the nerdy, calculating hitman Sorter from Revolver (2005) (who Guy Ritchie constantly got a kick out of, as he remarked in the commentary, simply because he was so pleased with seeing Mark Strong in socks that stuck out from under his trousers). He's charismatic, terrifying, and completely imbibes every role he's in. Which is why it took me so fucking long to realize he's actually an amazing actor. Because never once did I think "Wow, Mark Strong was really good in Rocknrolla". I just thought, "Huh, Archy's a really badass dude". He's not one of those actors who you automatically think of as being as awesome actor because he just does it so damn naturally, you instantly get caught in the flow of his characters. 

I'll admit here that my admiration for Mark Strong could very possibly simply be another branch of my admiration for the BAMF Guy Ritchie. Who I love with all my wanna-be-British heart. After all, if Mark Strong is enough of a badass for Guy Ritchie to shove the man in three of his movies, there has to be something essentially fucking awesome about him, right? Right. But the thing is, I've seen him in other things, and he's been epic in every role and genre he takes on. Like I said. Fucking chameleon. 

Best Films: Revolver (2005), Rocknrolla (2008), Sherlock Holmes (2009). Guy Ritchie aside, let's be real, he was even a bamf in Stardust (2007).

Best Moment: Sorter's shootout in Revolver. Really. The movie should've just been called Sorter & Co. Or Archy's slap, it's really a toss up.

Best Quote: [When asked if he's going to try to scramble for that golden ticket Hollywood lead role] "I tend to read scripts and just take what I like. I have no plan...I wouldn't want to sit at home planning a campaign of how I'm gonna get an Oscar, I mean I'm not that kind of actor. I'm genuinely not interested in that kinda stuff. What I love is being on a film set with intelligent people, making movies."

Upcoming Films: He's going to be in Tinker, Tailor, Soldier, Spy (2011). I'm there. 

11.14.2010

Your Mind Will Not Accept This Movie.

REVOLVER (2005)
Image from beyondhollywood.com
What is it with me and British gangster films? Nonetheless, you can't talk about British gangsters and not mention Guy. Guy Ritchie delivers a tour de force with an intellectual gangster film that's definitely one of a kind. We have guns, sharp wit, and Jewish mysticism. Seriously. Only Guy Ritchie could pull this off. That said, if you are just dipping your toes into the glory that is Guy Ritchie, I would not recommend you start with this movie. Definitely start with his earlier stuff, Lock, Stock, And Two Smoking Barrels and Snatch seem to be the general consensus for "Guy Ritchie classics". On the other hand, if you're as much of a Guy Ritchie junkie as I am, this should definitely be on your to-see list. 

I know I'm going on a limb with this statement since Revolver is one of the least widely accepted Guy movies, but it's one of my favorites. And I will tell you why. The pseudo intellectual mumbojumbo. Yes, I understand, this is a big turn off for most folks. When they want an action movie, they want an action movie. When they want a documentary on cons, chess, and Judaism, they want a documentary on cons, chess, and Judaism. The thing is, I always want action. So to me, it's more like a great motherfucking movie, with the added bonus of blowing my mind. No one complained when Memento pulled the old amnesia schtick. What's wrong with a macho movie that requires a bit of thoughts to understand it?
There's a reason chess games are cliché. Because they're awesome.
Alright. So maybe I'm not giving you adequate warning. I will say this: as much as I did love a good bit of mind fuck, it took me about three views to actually understand the plot. Since there, I've seen it more than a couple times, and I still trip up on bits and pieces. Even during the commentary, there are parts when Guy Ritchie pauses then goes, "To fully understand this movie, you have to know stuff that I can't talk about on this commentary because it would take too long to explain." But when you get over the religious hump, this comes down to a story about ego and humanity. I like to think of this as the "real" version of all Guy Ritchie's other movies. He strips away the cartoon remorseless killers and makes them turn around and come face to face with their own greed. It's sort of the Requiem For A Dream of gangster films.

BUT. If you hang up your brain and give yourself over to the brilliance that is Revolver, I don't think you'll be disappointed. The characters in this movie are positively badass. Jake Green, played by one of Ritchie's favorites Jason Statham, is a recently released con man. And he's made it his mission to get a little pay back and sink his nemesis, the rich and famous Macha (the fanfuckingtastic Ray Liotta), deep in debt. However, his plans get thwarted thanks to a rare blood disease and a couple of hard hitting loan sharks (Andre Benjamin--who'da thought he could act?--and Vincent Pastore).

Do not mess with a geek with a gun.
Jason Statham for one plays a refreshing character for him. Sure, he's a cold sonofabitch, but he's not that pure testosterone meathead of a man. Instead, he plays a character with a soul, a character who has to go through some extremely strenuous self evaluation. It's the best acting I've seen from Statham yet, I was legitimately impressed. Ray Liotta is also...well. He's Ray Liotta. He's extraordinarily badass. I've yet to see him in a role where he didn't blow me away. And this is no exception. Until I saw Goodfellas, I thought this was his best role. Now I realize it's his second best. But that's still saying a lot. His performance is chilling. But then again, there's nothing scarier than watching a top dog mobster crumble under his own towering ego. The best I saved for last. Jason Statham, awesome, Ray Liotta, awesome...but the one who really sold this movie for me was Mark Strong. Strong plays Sorter, a one of a kind OCD nerdy hit man. There...is very little I can say about Sorter. Except for the fact that he wears pants just short enough to show his socks, and yet he can still drill a hole in a wall, stick a gun with it, and kill anyone on the other end with a single shot. He's a BAMF. End of story. 

One last note on this movie. DO NOT watch the American version. The American version of most things are shit, but for this movie in particularly. I picked it up just to have the commentary and the movie itself literally makes no sense. They cut out major plot twists, save characters who have EPIC deaths, and lose the entire ending. Yeah. It's awful. If you have suffered the American version, I'm sorry. You can probably download the British version floating around somewhere online or just do the Amazon thing.

And so, all you Guy Ritchie fanatics, go out and check this one out. And shine on, you crazy diamonds.